
Monday, May 3, 2010
Weekend Update!

Sunday, April 25, 2010
Missed Connections
Friday, April 16, 2010
Projects
In July, my sisters and I fly home to bury our father.
We are not happy he is dying; but then, it’s not sadness either.
The morning he will leave us, the house runs the way it did when we were young. We dart in and out of the hall, wait for a turn with the blow dryer, shout; we look for stockings without runs, earrings that match necklaces, then decide against them both. We zip dresses, worry about the heat, our shoes, the road. We put on eyeliner, the four of us packed shoulder to shoulder in front of the bathroom mirror.
Downstairs our husbands are occupying the children. Samantha’s husband is on breakfast duty, scrambling eggs and pulling trays of French toast sticks out of the oven. Leslie’s husband is redressing the baby in the living room for the third time since six am. Eva’s husband hasn’t been her husband for three months and has decided not to come. My husband Simon is the new uncle and the children don’t know him very well. Samantha’s twins are eleven and inquisitive and throw question after question at him, asking him about his job at the Treasury, like why we don’t live in a big house if his job is to make money, or why he just doesn’t tell his boss to make more and fix everything that is wrong. He sits with them at the table and does his best to answer. He starts to speak, then stops, asks if they know anything about inflation.
“Like balloons?” one says.
He laughs and tells them to ask again when they have taken algebra.
We sit at the table, together for the first time in such a long time, and do not speak of why we are here. We laugh at our fingers sticky with syrup, momentarily forgetting the day.
Years ago when it was just beginning I asked: What’s the difference between a psychiatrist and a psychologist?
And Dr. Nguyen said: Psychiatrists and psychologists both help people understand their feelings, but a psychiatrist is someone who went to medical school and can prescribe medicine.
So what are you?
I’m a psychologist.
So you didn’t go to medical school?
No.
Then why is there a Dr. in front of your name?
Because I have a Ph.D.
What kind of doctor are you?
I’m a doctor of psychology.
But you didn’t go to medical school?
No, I went to graduate school.
So you’re not a real doctor then?
I am a real doctor. Just not a medical doctor.
Because you didn’t go to medical school.
Because I didn’t go to medical school.
I thought and didn’t say.
I thought and did say: I’m not crazy.
Did someone say you were?
No.
What made you say that?
I don’t know. Isn’t that why I’m here?
Why do you think you’re here?
I knew and didn’t say.
Coming to see me doesn’t mean you’re crazy, Annabel. Talking to someone can help us better understand how we feel and why we feel that way.
I just wanted you to know.
You wanted me to know what?
That I’m not crazy.
I didn’t think you were.
And I said: OK.
And she said: OK.
Two cars pull into the driveway as we are clearing the dishes—a blue compact with an
Linda and Jimmy are from Sharonville two towns over, but Celeste in the rental has flown in from
They do not ask how we are, but slip their arms silently around our shoulders, guide us back into the house.
Upstairs, Simon sits on the bed of my childhood room, already sweating through his dress shirt, fanning himself with the latest edition of The Economist. I balance myself on his knee and reach for the knot of his tie, slipping my finger between the silk and the cotton, pulling gently until it gives.
“You can take this off,” I tell him, snaking the length of fabric through his collar.
He puts his hand on my back, looks up at me.
“I’m sure,” I tell him for the thousandth time.
“I can wait in the car,” he says.
I half-smile, “It’s 110 degrees out.”
I run my finger along the slick sweat his hairline.
“You Yankees weren’t made for this.”
He says, “Bel, nobody was made for this.”
I press my forehead to his and thank him for being here.
Dr. Nguyen said: So your mother tells me that you’re very good in math and science.
I like them.
What do you like about them?
That you can’t argue.
How so?
It doesn’t matter what you think or what anyone else thinks. The answer is the answer and either you’re wrong or you’re right.
Leslie calls from downstairs. I kiss Simon softly and stand up.
“Anything,” he says. “I’ll be right there.”
Michael and the twins are playing a game of Chutes and Ladders in the dining room, and everyone else has congregated in the kitchen.
And Samantha is saying: “…and make sure they’re in bed before ten or else they’ll never…”
And Eva is saying: “…ten minutes, and we’re out …”
And Leslie’s husband is murmuring to the baby, and the baby is gurgling with his whole fist in his mouth, and the sunlight’s coming through the lace curtains throwing a mad dance of patterns across the group us. Jimmy asks if he can say a prayer before we leave and we answer, Yes, Please, Of course, and bow our heads because it is nice to have a believer among us.
The trip is just under two hours and I drive it by muscle memory. The four of us sit like statues inside the car, but outside, the whole world is moving; blurring greens and whites and browns, rising, falling, and rolling as we hurtle along the black-ribbon road. We roll the windows down and listen to the sound of tractors as they comb over the soft earth, kicking up clouds of dirt. Every few miles there is the din of a low flying plane as it rumbles over the fields, leaving a cloud of pesticide in its wake.
I don’t blame my sisters for leaving the way they did, and taking our mother’s maiden name with them. Leslie took acting classes in
We are mostly quiet inside the car, the three of them mimicking my silence. They have not been back in ten years, and they defer to me although I am the youngest, the one who had him least. They defer to me out of guilt. They defer to me because I am the one who stayed.
Dr Nguyen said: So what are you working on in science?
I said: We did plate tectonics last week. Now we’re learning about tsunami.
Tsunamis? Did you—
It’s tsunami.
I’m sorry?
The word tsunami, it’s both singular and plural. Like fish, or sheep.
I didn’t know that.
And tsunami aren’t tidal waves. They actually have nothing to do with lunar tides. It’s a common misconception.
Is it?
Yes. Tsunami are really caused by large vertical shifts in water, like those triggered by a large impact or an underwater landslide or the collapse of a volcano into the ocean.
So how do I know if a tsunami is coming?
Well, usually there’s a warning system.
She said: But what if there isn’t a warning system?
Parchman Farm is 18,000 acres that might go unnoticed if not for the aluminum signs or the groups of men in canary-yellow shirts throwing their hoes at the earth, sweating like God is watching. We pass the rows of mustard greens and sweet corn, pecans and butter beans, tomatoes and field peas. It’s 18,000 acres that are almost quaint. We turn right into the complex, pulling in behind the line of cars idling under the metal arch.
I said: Sometimes, just before a big tsunami comes, all the water near the shore goes out. And sometimes, people go to the beach to look at the fish and the coral that have been left behind because they don’t know what’s about to happen. And by the time they see the water coming back in, it’s too late and they run but they can’t get away and they drown.
Dr. Nguyen said: What do you mean by that Annabel?
I said: You want me to talk about my dad.
When I was eleven my father beat the sheriff’s skull in with a hammer until it wasn’t skull shaped anymore and then shot his pregnant wife right between the eyes. He came home that night with blood on his shirt and smelling like the scrap yard. I was the youngest by six years, and by the time the trial started Leslie, Sam, and Eva had graduated and left. And I don’t blame them—I don’t blame them at all.
Today we will touch our father for the first and last time in fourteen years, hold the closest we have ever come to a ghost. In the parking lot of the Mississippi State Penitentiary there are people who have been waiting for this day as long as we have. And they’re screaming as we get out of the car. Someone has brought a model gallows and hung a sign with our father’s name from the noose. Others have brought Sterno cans and small skillets to fry bacon; some of it they eat gleefully, some of it they hurl at us as we pass. They shove photographs of the other man, his wife, their daughters, in our faces, scream, This is who you should be crying for. They scream as if we do not know what he has done.
Thursday, April 15, 2010
Tutorial
“The highest degree granted in the
Napoleon? You want us to be like Napoleon marching to the “high mark of
Your Britishness is getting obnoxious.
SHOOT ME IN THE FACE.
Oh so you’re talking about me.
What are you saying? You don’t like when people open their English essays with in depth discussions about figure skating scoring?
I should probably start reading these books.
I think you've been wearing the same sweater for two months.
Who is screaming outside?
Oh little boy on tricycle, I can only imagine the sounds you'd be making if you were in here.
Oh god. You actually just made a joke about dwarves.
And you’re sunburned.
And your hair is thinning.
And you pick bad books.
You think I’m taking notes.
I should probably start taking notes.
Spiritualism turns women’s passiveness and receptiveness into a positive.
Telling the stories of those who have been marginalized. Historical novels seek to inhabit the absences of those who couldn’t (Toni Morrison’s Beloved)
Séance: someone among the living claims to be speaking in the voices of the dead. Byatt mocks the séance, and in a way mocks the style of her own work.
Oh, writing concentration decisions come out today.
This class is full of awkward silences.
You know what’s great? Realizing that sometimes you don’t have to say anything.
I’m realizing I know very little about the Victorians.
You gotta put the past behind you.
HA. The girl next to me has written “WTF?!” in her notes.
What is the value of pastness if the pastness is not authentic?
Five more minutes.
This book sounds fucking weird: Part winged form with a beak plunged into its own breast, part clay, part flask, part flayed man, made up of colors she can’t identify: is actually a dead guy.
“I defy you to imagine a completely different color and then describe it to me.”
One more minute.
Oh no, you're running over.
No one wants to be here!
A lot of the class isn’t here!
Don’t you have another class to teach?
The dead are tortured by the desires of the living.
You see the people are turning around to look at clock? This is a hint.
No. Girl in the green sweater. Put your hand down. Put. It. Down.
Damn.
Longing for the past is connected to bereavement making it desperate, needy, and intensely personal.
You say literature funny.
We’re six minutes over.
Now no one is talking.
Oh yes, the implacable alienness of the past.
*I got into the writing concentration! Woot.
Friday, April 9, 2010
How to be an Explorer of the World: Exploration 1 (sort of)







Saturday, April 3, 2010
Saturday [Soundtrack: The Rescues]
2. Borough Market (Part II): Mind blowing West Indian Curry, joining Team Marble Cake
3. Walk along the Thames Path
4. Boat ride from Westminster to Greenwich to play on the Prime Meridian
5. Lebanese shawarma deliciousness
6. Pride and Prejudice in a snuggie
7. Yale bonding
8. Not a drop of rain, in London.
Best.Day.Ever.
Wednesday, March 24, 2010
Things I've Been Thinking About
Friday, March 19, 2010
Stanza, Day Two
Monday, March 15, 2010
Weekend Update Plus
Saturday, March 13, 2010
Snowdrop Spectacular
Thursday, March 11, 2010
Last Minute Lucy
Sunday, March 7, 2010
Unlikely Best Friends
So Copernicus and Martin Luther are on the 5, right, express from
“Trust me,” Marty says, “It’s all jewelry boxes and vases and shit. The ladies love that kind of stuff. But you gotta stay away from the tourists this time. I am not in the mood to explain to no other doe-eyed, country girl that Broadway and West Broadway ain’t the same street. I mean, look at the sign girl! They got two different names!”
And then the train stops and they get out, and they’re walking up the granite staircase and through the glass doors and through the glass doors and up the marble stair case to the second floor where all the European stuff is and sliding past them is some tu-tu wearing young thing, and Marty’s all over it trying to intercept her.
“Girl,” he says, sidling up behind her, “You lookin’ spontaneous!”
She turns, gives him a once over, says,
“What do you think about Degas?”
He says, “I don’t know much about any type of day, I’m more of a night man if you know what I mean.”
He winks.
She frowns, adjusts the red flower in her hair, and jumps back into her painting.
“Alright, alright,” he calls to her immobile form, “I’ll catch up with you later. We’ll ren-dez-voos for lunch.”
He turns back to Nicky, says “And here I thought these art folks was supposed to have manners. You know what, I’mma leave comment card—rude ass dancers should not be admitted.”
Nicky shakes his head, says, “Well, I’m sure if you could resist nailing it the door this time, the administration might be more receptive to your requests; although I suspect that temperamental teenagers are not their most pressing concern.”
Marty crosses his arms, “Why you always got to be all huge-word-centric? Just talk man.”
Monday, March 1, 2010
The Jonathan Safran Foer Saga: Part II
Jonathan Safran Foer lets me into his class and Jennie has officially dubbed me “baller.” He was very nice about it even though I think I was very annoying, following him to his car like I did and speaking much too quickly and taking too few breaths. I go to the dean’s office to rearrange my schedule because now that I’m fake-taking Intermediate Fiction Writing, I cannot really-take Women, Food, and Culture, since the class times overlap. When I go to see Mary, who is Dean Silverman’s assistant, she tells me I have three hours to pick a new class or else she’s going to fine me for not finalizing my schedule on time. I blindly pick African-American Culture in the 20th Century from the bluebook thinking it cannot be that difficult because I am an African-American who is fairly familiar with the 20th century, having lived through a solid decade of it—even if most of that ten years was spent developing fine motor skills and learning how to read. What I do not realize, however, as I hand in my schedule with twenty minutes to spare, is that this also conflicts with Intermediate Fiction Writing. But, I do stop by the book store and buy Extremely Loud and Incredibly Close and then call my friend Ritchell, who is a very big fan of Jonathan and Nicole, and tell him the good news. Actually, I ask him if he’d like to hear another reason Harvard (where he goes to school) blows, and then I tell him the good news. He is sufficiently jealous and I enjoy my gloating.
But it ends up being OK for the most part. African-American Culture in the 20th Century is easy, so I skip out on half of the Wednesday lecture and walk over to the Saybrook Lyceum Room. Intermediate Fiction Writing is funny because no one asks who I am or what I’m doing in their class, and I don’t volunteer the information.
One Tuesday (like most Tuesdays) Jennie forgets to forward me the pieces. She forwards them to me because I’m not on the panlist, even though I sent Jonathan Safran Foer an email politely asking him to add me because Jennie is incredibly forgetful, and in this proverbial way, not like an elephant at all. But it’s not a big deal because I don’t have time to read them anyway on account that I have a paper to finish for African-American Culture in the 20th Century that’s due that evening. In lecture, however, the professor gives us a twenty-four hour extension. As I leave class, I realize I could go to fiction but decide against it because I would be very late and subsequently, the actual elephant in the room. And besides, I wouldn’t know what they were talking about. Instead I go grocery shopping because I’m making dinner for my suitemates on Friday. I buy pasta and cheese, and sunscreen because I am going to
He turns his head. Away from me.
Sweet baby Jesus, I think, I just got snubbed by Jonathan Safran Foer.
I tell this to Trinh when I get back to the suite. In short, she says, I’m fucked.
I email Jennie. She says not to worry about it. I don’t believe her; trouble is always afoot.
For the next few classes I am convinced that Jonathan Safran Foer hates me. I take his lack of eye contact for despise, neglecting to remember that he rarely makes eye contact with me 1) because I am not his student, and 2) because I am usually attempting to un-obviously stare at Alex Borinsky (it is because of him that Jennie and I have been considering the merits of polygamy, and later, the difficulty of being polygamist beards, and later, why we didn’t go to a school with more straight boys).
It is the last class of the semester and I wait to talk to Jonathan Safran Foer and give him the card I wrote with my orange sharpie, because orange seemed like a memorable color.
I thank him for taking me and this is what he says in reply:
“I’m glad you could make it to all of the classes.”
I am staggered, flabbergasted, dumbfounded, as if someone had just told me Stephen Hawking’s favorite game was Dance Dance Revolution.
I am also beginning to feel increasingly stupid. I start to explain the story, then stop when he looks disinterested. I hand him the card and tell him that I’ll be in
And then he says the thing that redeems any negative feeling I ever had toward him, mostly garnered from not answering my emails:
“No one’s more dorky than me.”
He says this, and I think I might have a chance.
Will it be chocolate cake?
1. The weather was uncooperative for our
2. However, we are making a trip to see the annual blooming of the
3. Ford Madox Ford was born Ford Hermann Hueffer. I think I would have changed my name too.
6. So my friend Yamila and I went out to dinner on Sunday (no hall dinner on the weekends here--how I miss Sunday Sundaes!) and we walk into this place called Pizza Express in which the following conversation takes place:
(Yamila and I walk in the door)
Waiter: Do you have a booking?
Yamila: No.
Waiter: I'm sorry but we won't be able to serve you tonight.
(Yamila and I look around, confused, at the nearly empty restaurant)
Waiter: We've run out of dough. And mozzarella.
Me: We are not in America anymore.
8. We had Scottish Night in the dining hall last Thursday in which I a) ate Haggis--which I will never do again, b) had Robert Burns's Address to a Haggis read to me by Mr. February 3rd (OK, not really him, but you know what I mean) but in a kilt. Or in other words: SCOTTISH HIPSTER. (I'm so sorry I didn't have my camera Trinh)
9. Big ups to Trinh Nguyen for hand delivering my last fellowship application to the Stiles Master's Office, because, you know, I'm a procrastinator who doesn't read directions. And overnight post is mad expensive.
10. I think my AmeriLove has driven me to a bad place. For God knows why, I've self-selected to give my class presentation in The Historical Novel on Cormac McCarthy's Blood Meridian. Rumor has it it's so violent that Harold Bloom had some trouble getting through it. This should be interesting.
That was for you Liz Marshman.
Saturday, February 20, 2010
Dancing with Men in Skirts
-4.jpg)
Tuesday, February 16, 2010
Glen Clova and Other News
-14.jpg)
-12.jpg)
-6.jpg)
-4.jpg)
-1.jpg)








-1.jpg)
-3.jpg)
-2.jpg)